Theater Review - 42nd Street - Broadway in our own backyard
by Janet Grant Tri-City Voice -
August 6, 2007 These days the lullaby of old Broadway positively resonates off
the
stage of
Ohlone
College
Jackson
Theatre.
Under
the
brilliant
direction
of Lori
Stokes,
the
constantly
amazing
youth
company
of StarStruck
Theatre
has done
it yet
again.
Opening
night of
42nd
Street
was an
absolute
fun-filled
night of
visual
and
audial
delight. 42nd
Street
has all
the
glamour
and
glitz of
the old
1930's
musicals.
If you
love
Broadway,
this
production
of
Michael
Stewart
and Mark
Bramble's
1980
Tony
Award
winning
musical
will
knock
your
socks
off. The
energy
of
StarStruck's
young
cast
coupled
with
Henry
Warren
and Al
Dubin's
toe-tapping
musical
score
offers a
complete
entertainment
package
that is
simply
grand,
grand,
grand! Of high
points,
there
were
many.
From the
time the
curtain
first
rises on
the
dancing
feet of
the
chorus
line to
the echo
of the
title
number,
you are
never
disappointed.
Choreography
by Becky
Peretti
and
Jeanne
Batacan-Harper
was
spectacular.
Only one
word
comes to
mind
when
describing
the tap
dancing
numbers
- WOW! Of
course
the
lively
musical
score
under
the
expert
direction
of Nancy
Godfrey
had me
still
singing
those
familiar
tunes
like The
Lullaby
of
Broadway,
We're in
the
Money,
and
Shuffle
off to
Buffalo,
far into
the
night. Costume
Design
by Vicki
Boomer
was as
usual, a
colorful
feast
for the
senses.
And who
isn't
impressed
by a
line of
male
dancers
in
top-hat
and
tails? Set
design
by
Stephen
C.
Wathen
was
inspired.
The
large,
iconic
figure
of the
"Pretty
Lady"
drew you
into the
musical
within
the
musical
as did
the
representation
of
bustling
Broadway
and 42nd
Street. The
highest
praise
of
course
must be
reserved
for
those
incredible
actors
and
ensemble
members
whose
talents
are just
astounding.
When
difficult
dance
routines
are made
to look
easy
onstage,
you know
that is
the
hallmark
of hard
work and
skill.
To
paraphrase
a line
from the
play,
"They
went out
there as
youngsters,
and came
back as
stars." 42nd
Street
is a
musical
about
dreams
and the
love of
theatre.
The plot
centers
on small
town
girl
Peggy
Sawyer
with big
dreams
of
dancing
in a
Broadway
show.
Her
spectacular
tapping
feet
catch
the
attention
of
leading
man
Billy
Lawlor
and even
the
writer,
Mr.
Julian
Marsh.
When
Peggy is
cast in
the
chorus
of
"Pretty
Lady",
she soon
emerges
as the
best
dancer
on the
line.
When she
inadvertently
causes
the star
of the
show to
fall and
break
her
ankle,
she is
fired by
Julian.
Without
the
star,
the show
is in
danger
of being
cancelled.
The cast
however,
knows
that
Peggy
can pull
off the
starring
role
with her
talents
and set
about
convincing
Julian.
Julian
goes
after
Peggy to
beg her
to come
back to
the show
as the
new
leading
lady. Of
course,
Peggy
saves
the show
and
emerges
as a new
star. Juliane
Godfrey
was
wonderful
as Peggy
Sawyer.
Her role
as
ingenue
seemed
tailor-made.
Miss
Godfrey's
tap-dancing
was
electric
and her
comedic
timing
was spot
on,
especially
when
being
taught
by
Julian
on how
to act
the role
of a
woman in
love. Bohn
Kerns in
the role
of
larger-than-life,
passionate
but
complex
Julian
Marsh
was
masterfully
portrayed.
Mr.
Kern's
wonderful
baritone
voice
was also
quite
compelling
in his
renditions
of
Lullaby
of
Broadway
and 42nd
Street. You had
to feel
just a
little
sorry
for
Dorothy
Brock
portrayed
ably by
Beatrice
Crosbie.
Once a
star,
the diva
was now
outshined
by a
younger
more
talented
rising
star.
However,
Ms.
Crosbie's
heartfelt
crooning
of the
romantic
ballad,
I Only
Have
Eyes For
You was
one of
the most
beautiful
numbers
in the
show. Drew
Williams'
enthusiastic
portrayal
of Billy
Lawlor
was
refreshing.
There
was a
nice
chemistry
between
his
Billy
and Ms.
Godfrey's
Peggy.
Mr.
Williams
also had
his
share of
really
good
tunes
nicely
done,
including
I Only
Have
Eyes for
You and
Dames. Kimberly
Chatterjee
brought
a nice
bit of
humor to
her role
as
Maggie
Jones
aiding
Peggy
toward
her
destiny
of
stardom.
And Kyle
Burgess
played
the role
of Pat
Denning
with a
laid
back
ease,
making a
nice
counterpoint
to
Dorothy's
passionate
outbursts. During a
time
when the
economy
is
sagging,
gasoline
prices
are
skyrocketing,
and the
day's
news is
often
full of
doom and
gloom,
StarStruck's
lively
production
full of
extravagant
dance
numbers
and
snappy
tunes
can
bring a
smile to
your
face and
a dance
to your
step. Do
yourself
a favor,
go to
the
Jackson
Theatre
and...
"Come
and meet
those
dancing
feet,
On the
avenue
I'm
taking
you to,
Forty-Second
Street." Performance
dates: Thursday,
Aug 7,
14
Friday,
Aug 8,
15
Saturday
Aug 9,
16
8 p.m. Sunday,
Aug 10
2 p.m. Saturday,
Aug 16 (ASL
Interpreted
Performance)
2 p.m. Ohlone
College,
Smith
Center
in the
Jackson
Theatre
43600
Mission
Blvd.,
Fremont.
(510)
659-1319
www.starstrucktheatre.org Adults:
$222
Seniors/students:
$20
Children
12 &
under:
$18 |