Revenge of the Drama Geeks
Why it's almost cool to be a theater kid
by Chad Jones, Staff Writer Fremont Argus - May 21, 2006 At
her elementary school, Amy Mendonca
is known as "the drama geek."
"I'm the girl who sings show tunes day
in and day out — any show tune," says 11-year-old Amy, a sixth
grader at Joshua Chadbourne Elementary in Fremont.
Theater has never, ever been seen as
the cool after school option for young people, at least not when
compared to sports.
But in the Bay Area, where it
sometimes seems there's a child onstage warbling "Tomorrow" every 25
minutes, theater is what you might call cool-ish.
"I wouldn't say theater is cool," Amy
continues, "but it's not nerdy either. It's more kind of in the
middle. I wouldn't call it 'Oh, my gosh, I'm a drama nerd!' but it's
also not 'Oh, she's so wonderful because she sings show tunes.'"
Amy comes by her love of theater
naturally. Her mom, Claire Mendonca, and dad, Ray Mendonca, were
high school sweethearts at Fremont's Irvington High School, where
they appeared together in a production of the musical "Mame."
As the parents of two daughters —
Amy's little sister is Marie Claire (called M.C. by her friends and
family) — the Mendoncas had hoped to instill a love of theater in
their children.
Turns out they didn't have to try very
hard. Both girls have been involved in StarStruck Theatre, a youth
theater program run by Lori Stokes in Fremont.
"One of Amy's teachers, after
observing Amy in class, suggested that she might be well-suited to
the stage, so we looked for a children's theater program for her,"
Ray Mendonca says. "We're lucky to live in an area where there are a
lot of options for children to explore their talents. We discovered
StarStruck as audience members and left the show kind of surprised
and amazed by how good their work was."
Students in Stokes' 11-year-old
company are required to audition for shows, which means not everyone
gets in. That's different from a lot of local youth theater programs
in which tuition is paid and the child is accepted.
Amy and M.C. have been cast in
numerous StarStruck shows. The entire Mendonca family performed
together in "Oliver!" two years ago, and Amy just finished a
production of Disney's "Aladdin, Junior," a kid-size stage version
of the Disney cartoon. Amy says she would love to be in the next
show, "Thoroughly Modern Millie," but that cast ranges in age from
14 to 20, so she's not quite old enough.
Theater and the real world
When the Mendoncas went looking for
theater programs for their daughters, they had a lot of choices.
There are the education arms of our
biggest regional theaters, San Francisco's American Conservatory
Theater and the Berkeley Rep School of Theatre, as well as
established programs at larger theaters such as California
Shakespeare Theater and San Francisco Shakespeare Festival.
And just about every community theater
you can think of offers some sort of after-school theater program or
theater summer camp.
There are also a number of companies
dedicated solely to children's theater. In addition to Fremont's
StarStruck, there are the Peninsula Youth Theatre and Palo Alto
Children's Theatre on the Peninsula and Kids Take the Stage, an
Alameda-based program that now extends to just about every corner of
the Bay Area.
Should my kid try theater?
One of the first questions a parent
might consider asking about extracurricular theater activities is:
Why theater?
Barrett Lindsay-Steiner, an in-demand
children's theater writer and director in the East Bay, advises
parents to give it at try.
"I tell them they won't be sorry
because the tools kids acquire in theater are incredible:
self-confidence, poise, flexibility under pressure, self-esteem,
teamwork, verbal skills and communication," Lindsay-Steiner says.
"These are all things that will help a young actor succeed in the
real world. Plus, they get to hang out with other really cool kids.
Theater kids are very nurturing and supportive as a rule."
Two of Lindsay-Steiner's students,
siblings Emily and Scotty McCormick of Lafayette, are already
seasoned pros. Scotty, a 10-year-old fifth grader at Happy Valley
Elementary, has been in 14 shows, and 13-year-old Emily, an eighth
grader at Stanley Middle School, has been in 13.
Scotty was just in Lindsay-Steiner's
"Manhattan," a cheeky blend of "Snow White" and "Chicago," and Emily
recently starred as Laurey in "Oklahoma!"
Both young McCormicks highly recommend
theater.
"I had a choice between acting and
karate," Scotty says. "I chose acting because theater is more
exciting than sports. I like the thrill of being onstage and
performing in front of people."
Emily says she was never very good at
sports but finds she's pretty good at performing.
"You get to be a different person and
step into someone else's shoes," she says. "And it's fun to show
your family a different side of you. They get to see how hard you've
worked."
Finding the right spotlight
If you think your child has talent and
would like to get your budding thespian into a program, StarStruck
founder Stokes says you should do what the Mendoncas did: find
several companies that interest you and go see their work.
"Everybody has different criteria for
what they think is good," Stokes says. "There's good children's
theater and not-so-good children's theater."
One thing Stokes wants to make clear
to parents is that no matter which program they choose, they need to
be involved.
"Children's theater couldn't exist
without parents," Stokes says. "When a child is in a show, it's
really a whole-family commitment."
Ray and Claire Mendonca, for instance,
have been called upon to do all kinds of things for Stokes when
their daughters have been in her shows.
"We've helped with set and costume
construction, programs, posters, rehearsals and organizing a
fundraising dinner and auction," Claire Mendonca says. "The kids in
the show bond and so do the parents who are helping out. We're all
on the same team."
"I like the parent participation
aspect," Ray Mendonca adds. "It gets the whole family involved, and
you're doing more than just showing up to cheer them on. We're doing
our thing and the kids are doing their thing, but we're
all in it together."
Programs that involve the full
production of a show are usually the most work-intensive for
parents, while a summer camp program is less.
Another major variable is price.
Stokes' StarStruck, for instance, is $225 to participate in a show.
Classes at Kids Take the Stage range from $195 to $695, while the
upcoming summer intensives at the Berkeley Rep School of Theatre run
$1,040 to $1,100.
Give them a yes
Michael Lederman, director of the
Coastal Repertory Theatre Conservatory in Half Moon Bay, is often
cornered by parents and asked for advice about theater programs.
"I tell parents to first take a deep
breath and then ask themselves this question: 'Are you getting your
child involved in theater for the child's experience or for your own
experience?'" Lederman says. "'Is this something that my child is
really passionate about or is it more for my own need for
recognition?' That's hard for parents. I've had parents say to me,
'Hey, you know, you were right. I realized there's too much of me in
this.' I think that happens more with kids in dance, but it does
happen in theater as well."
Lederman started the CRT youth
conservatory program 12 years ago with 12 students and now regularly
has 100. He just closed a sold-out production of "Fiddler on the
Roof, Junior" (a revised, shortened version of the famous musical)
that boasted a cast of 97 of kids in first grade through high
school. If pressed, he will take kindergarteners.
Unlike Stokes and her auditions,
Lederman takes all comers and will double and triple cast his shows
to give everyone a chance to perform in a meaty role.
"That might mean giving a kid who's
not the best singer the opportunity to sing the lead role," Lederman
says. "Some kids who aren't natural singers will likely hear 'no'
all the time. I want to give them a 'yes' because I'm trying to get
kids excited about theater, give them a great experience and let
them discover the joy of participating and the responsibility and
reward of being part of a cast."
Whatever you do, don't expect instant
stardom for your child.
"The important thing is that your
child is having a good time," Lederman says. "If he or she is meant
to be a star, it'll happen without your having to do too much."
No divas (young or old)
In the musical "Gypsy," the character
of Rose is the stage mother from hell. She pushes her kids on stage
whether they want to be there or not and lives vicariously through
their time in the spotlight.
If she can't be a star, darn it, her
kids will be.
That image of the pushy stage parent
has some bearing on reality, but Stokes, the mother of two
performing daughters (and a non-performing son), says she doesn't
have to deal with that much.
"There are stereotypical stage parents
out there, but it's less common than you might imagine," Stokes
says. "Mainly their issues are about attention. They want their kids
to get more attention and to feel special. I've never really had to
take a parent aside to talk about their behavior.
"What I do get a lot of is
kids at auditions who focus intensely
on getting a lead part. I want the lead! I want the lead! But after
the audition, that goes away and they think about the group. I try
to instill in both parents and kids that the goal is to be
supportive of everyone. I don't go for that diva thing."
Lederman is also vehemently anti-diva.
"I don't like an ego bloated by
success or bent out of shape by failure," he says. "And there are
always failures no matter what level of theater. But in 12 years,
we've never had a kid run off stage crying. We've had mini-meltdowns
backstage, but we can deal with that."
When Lederman deals with pushy parents
— and he says there's always one or two — he says he usually has to
make the parent understand that a child actor needs to build skills
gradually.
"A few years ago, a woman with a
second-grade daughter came up to me telling how much her daughter
wanted the lead in 'Annie'," Lederman recalls. "I had to find a way
to tell her second graders don't play Annie. They can hardly read
the script."
Other parents are simply eager for the
children to accomplish great things.
"I've had some parents tell me they
didn't enroll their child in my program because they didn't think
I'd make their child a star," Lederman says. "Let's be honest. The
odds of that happening in any theater program are small."
But Lederman's young charges do go on
to bigger and better things.
"I remember auditioning for a play at
TheatreWorks in Mountain View and knew they needed some kids in the
show, so I brought some of my high school-age students," he recalls.
"I didn't even get a callback, but one of my students got the second
lead."
Drama geeks rule
Lederman, called "Bub" by his
students, says he has to laugh when he sees the kids running around
in T-shirts with "Drama Queen" emblazoned across the chest. "They all get so theater savvy," he
says. "They're always buzzing about the new musicals and asking me,
'When are we going to do 'Wicked' or 'Hairspray'?' I tell them I'll
get right on it."
A theater lover from his earliest
stage experience in second grade, Lederman became a professional
actor and made his television debut at age 16 in an episode of
"Charlie's Angels." He continues acting and teaches to pay the
bills. He says being in theater as a kid was a good thing for him.
"I want my students to take away what
I took away with me: an unwavering, undying, complete passion for
what's magical and fantastic about theater," he says. "I want them
to love theater, either as a participant or as an audience member,
for the rest of their lives. I want them to look back on their
experiences onstage and be able to tell their grandchildren about
how amazing it was when they were in 'Fiddler' or 'The Wizard of Oz'
or whatever."
If you ask Emily or Scotty McCormick
if they consider themselves drama geeks, they'll say yes and tell
you that's a good thing.
So will Amy Mendonca, who is proud
that her class continually votes her "most dramatic."
She'll be auditioning for StarStruck's
"Peter Pan" next fall, even
though she knows it'll be sad when it's over. "You really become like a huge family
in a show," she says. "It's hard at the end of each show. We're all
crying because we don't want it to end. But it does, and then
there's the next one."
Content for now to be in the chorus,
Amy has her sights set higher.
"It would be nice to star in
something, but I know I'm young," Amy says. "It's OK being in the
chorus. My time will come."
Where kids can act up all summer
long Here's a starter list of children's
theater programs in the Bay Area.
- American Conservatory Theater Young
Conservatory — For young actors 8 to 19. Two-week and one-week
junior acting sessions for ages 8 to 10 begin June 19. Tuition is
$300-$600. Four-week middle school program begins June 19. Four-week
high school program begins June 19. Tuition for the middle and high
school programs is $315-$595. Call (415) 439-2444 or visit http://www.act-sf.org
or e-mail youngconservatory@act-sf.org.
- Belasco Theatre Company — Youth
theater company for ages 6 to 19 produces professional quality
musicals. Auditions for the next season are in August. Fees are
monthly plus expenses for costumes and makeup and separate dance
classes if necessary. Some scholarships available. Call (925)
256-9516 or visit http://www.belascotheatrecompany.com.
- Berkeley Repertory School of Theatre
— Summer theater intensive for students entering grades 6 through
12. Session one is June 19 through July 14, and session two is July
17 through Aug. 11 in downtown Berkeley. Tuition is $1,040 for
session one and $1,100 for session two. A limited number of
scholarships are available. Call (510) 647-2972 or visit
www.berkeleyrep.org/school.
- Broadway by the Bay Conservatory —
Summer camp for performers 8 to 18 runs June 26 through July 20.
Camp for ages 5 to 7 also runs June 26 through July 20. Fees start
at $525 for half day to $925 for the full day. Call (650) 579-5565,
ext. 207 or e-mail David Greenbaum at
david@bbbay.org.
- California Shakespeare Theater —
Five-week theater camp for ages 8 to 18 runs June 26 through July 28
in Lafayette. Tuition is $1,100. Two-week camp runs July 31 through
Aug. 11 in El Cerrito. Tuition is $425. Call (510) 548-3422 or
e-mail learn@calshakes.org
or visit http://www.calshakes.org.
- Coastal Repertory Theatre — Classes
for grades 1 through 12 begin in September. Tuition is $275 for a
semester and $550 for a full year. Classes work toward production of
a full-scale musical. Call (650) 726-0267 or visit
http://www.coastalrep.com.
- Kids Take the Stage — Classes in
performance, acting technique and behind-the-scenes skills at three
age levels: 3-6; 7-11; 12-18. Classes can be found in San Ramon,
Newark, Fremont, Oakland, Alameda, Los Altos and Redwood City.
Various summer camps begin in late June and early July. Summer camp
tuition ranges from $195 to $695. Call (510) 864-7061 or visit
http://www.kidstakethestage.com.
- Palo Alto Children's Theatre — For
nearly 75 years, this company has been producing about 20 shows a
year and educating students ages 4-11 in acting, dance, set design
and construction, costuming and makeup, the design and use of sound
and light systems and performance direction and production. Tuition
for classes ranges from $75 to $110. Call (650) 463-4930 or visit
http://www.city.paloalto.ca.us/community-services/theater.
- Peninsula Youth Theatre — Classes
and productions for youth ages 11/2 and up in Mountain View.
Auditions for "Joseph and the Amazing Technicolor Dreamcoat" May 27.
Summer programs are filling up quickly but a few openings remain.
Tuition ranges from $60 to $275. Call (650) 988-8798 or visit
http://www.pytnet.org.
- San Francisco Shakespeare Festival —
Shakespeare camps for youth 7 to 18 around the Bay Area run June 19
through Aug. 18 from 9 a.m. to 3 p.m. Fee is $395 (or $520 with
optional aftercare). Call (415) 558-0888 or visit
http://www.sfshakes.org.
- StarStruck Theatre — Musical theater
slots are by audition only. Next production is "Thoroughly Modern
Millie" July 28 through Aug. 12. Musical theater summer camp for
ages 7 to 12 June 19 through 30 in Fremont. Tuition is $225. Call
(510) 659-1319 or visit http://www.starstrucktheatre.org.
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James Jones, 14, of
Fremont, dances while rehearsing the musical 'Thoroughly
Modern Millie' at Starsturck, a children's Theater
company in Fremont. In background Joe Rivera, 15, (left)
and Jordan Aragon, 16, both of Fremont. (Bea Ahbeck -
STAFF) |
Choreographer Michael
Jenkinson (right) goes over some moves with (l-r)
Esteban Gonzalez, 16, Jordan Aragon, 16, and Joe Rivera,
15, all of Fremont, while rehearsing the musical
'Thoroughly Modern Millie' at Starsturck, a children's
theater company in Fremont. (Bea Ahbeck - STAFF) |
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Anthony Vega, 20, of San
Leandro, Brian Estrada, 18, of Fremont, and Daniel
Schonhaut, 15, of Fremont, rehearse the musical
'Thoroughly Modern Millie' at Starsturck, a children's
Theater company in Fremont. (Bea Ahbeck - STAFF) |
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